Futurismo Sincerely Hot Music Typewriter Afrodiaspora Seis Poemas Travesias Espiritu Vivo Eco de Sombras Susana Baca Pretaluz Bloque Amai Bright Moments - Natives Look Into The Eyeball Feelings David Byrne Uh Oh The Forest Rei Momo Disco and the Halfway to Discontent When I Was Born For The 7th Time Woman's Gotta Have It Wondervisions Into The Oh Sacred Cow Grand Opening Janka Nabay and the Bubu Gang - En Yay Sah Javelin - Hi Beams Javelin - EP 1 and EP 2 Javelin - Canyon Candy Javelin - No Más The Return of El Santo King Chango The Outsiders Are Back The Venezuelan Zinga Son Vol 1 Arepa 3000 The New Sounds of the Venezuelan Gozadera Cybertropic Chilango Power Soak Bande a Part Nouvelle Vague Live at the Barbican Theatre Everything is Possible Inspiration Information Si*Se A Funny Little Cross to Bear Transnormal Skiperoo Searching For the Wrong-Eyed Jesus No Such Place Drill A Hole.. Wrong-Eyed Jesus Gimme 5 Yonlu - A Society In Which No Tear Is Shed Is Inconceivably Mediocre Ancestry In Progress A Ma Zone Zap Mama - 7 Sabsylma Explaining Things So I Can Confuse You Estudando a Bossa Pagode Postmodern Platos Fabrication Defect Brazil Classics 5 Brazil Classics 4 What's Happening In Pernambuco? Beleza Tropical 2 Forro O Samba Beleza Tropical Diablo Al Infierno Grand Opening The Greatest Hits of Silvio Rodriguez Peppermint Tea House The South Indian Film Music of Vijaya Anand Telling Stories to the Sea The Best of Djur Djura The Soul of Black Peru The Funky Fuzzy Sounds of West Africa The Only Blip-Hop Record You Will Ever Need 21st Century 21st Year The Sound of Sound Zero Accidents on the Job

The car stopped and two casually clad gentlemen stepped out through each door. Vijaya Anand fit the picture of a young, successful South Indian music director perfectly. He was wearing faded blue jeans, a tastefully printed polyester shirt with the two top buttons undone. I could see the long gold chain with a capital “V” for a pendant. Anand has everything a young cinema music director could want — charm, imagination and involvement in his field to the core. He has been enchanting audiences with a unique blend of the world’s music since ’82.

Vijaya Anand was born Jude Matthew in 1952 in Madras, the famous tinsel town of South India. His father, a middle school teacher, and mother, a post office employee, were staunch Catholics.

When he turned seven, Vijaya’s interest in music lured him to a place in the neighborhood where an orchestra playing cinema music had its rehearsals. He was frequent visitor to this place, and his desire to play an instrument grew stronger. But his parents felt differently. They thought education was worth more than anything else. Only after a long tug of war did he manage to convince his parents to buy him a bongo.

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