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David
Byrne is primarily known as the musician who co-founded the group Talking
Heads (1976-88) in New York. On record and in concert, the band was acclaimed
by critics and audiences alike; more importantly, however, they have proven
to be extremely influential. Talking Heads took popular music in new directions,
both in terms of sound and lyrics, and also introduced an innovative visual
approach to the genre.
During his time with the group, Byrne was
involved with several other projects. He composed and created an evening-length
ballet score for choreographer Twyla Tharps The Catherine Wheel, directed
many of the first videoclips to appear on MTV, collaborated with Brian Eno
on My Life in the Bush of Ghosts, a record incorporating "found"
voices such as radio preachers, talk show guests and Arabic singers, and
created a brass band-and-spoken word score for a theater piece, The Knee
Plays, directed by Robert Wilson.
In 1985, Oscar-winner Jonathan Demme made
his prize-winning film of the Talking Heads in concert, Stop Making Sense.
In 1986, Byrne went behind the camera to co-write and direct the feature
True Stories. In 1987, he won an Academy award for co-writing the score
for Bertoluccis epic, The Last Emperor.
In 1989, Byrne collaborated again with Robert
Wilson on The Forest, a theater piece, composing an orchestral score with
mostly wordless vocals. After releasing a soundtrack of the production,
he performed it live with various orchestras. That same year, he also directed
"Ile Aiye: The House of Life", a documentary on African religion
in Brazil; and recorded Rei Momo, a collaboration with 15 of the best Latin
musicians in New York. Byrne then toured with this group through Europe,
Japan, and North and South America. This record and tour were followed by
one called Uh-Oh (92), on which funk and Latin grooves were mixed together,
and a film was made at the end of tour called "Between The Teeth".
Two more records followed: the self-titled David Byrne (1994) and Feelings
(1997); 1998 saw the release of The Visible Man, a record of re-mixed versions
of songs from Feelings.
In late summer Byrne joined his touring band
with the London based Balanescu string quartet for a series of live dates
and an appearance on Sessions at West 54th, a weekly one hour PBS music
show that Byrne began to host in the fall of 98 and spring 99, interviewing
various musicians and introducing them to a new audience.
Byrnes record label Luaka Bop, which
was founded in 88, has evolved from a label specializing in "world
music" compilations to one with emerging acts such as Cornershop, Geggy
Tah, Susana Baca, Zap Mama and a host of Alternalatino bands such as Bloque,
Los Amigos Invisibles and King Chango.
David Byrne has been involved with photography
and design since his college days, but has only recently begun to exhibit
and publish his work. Like his film and musical projects, his photography
is often described as elevating the mundane or the banal to the level of
art. In some ways, he creates icons out of everyday materials and finds
the sacred in the profane. Some of the photos might be considered "documentary,"
though they are not really about a specific place or time. Rather, they
are about the choice of the things, or lack of things, that is photographed.
In particular, the lack of people stands out in his work. On this aspect
of photography the writer/critic Wright Morris describes the sensation this
condition creates: "Only in their absence will the observer intuit,
in full measure, their presence in the object." In a sense, Byrnes
photographs are about interiors, both physical and emotional, as much as
exteriors. As a body of work, his photography deals with what lies behind
the eyes as much as what is in front of them.
Byrne shoots about half of the work on his
travels in various parts of the world such as Mexico, Morocco, and Texas.
The other half were composed in his studio, using a variety of photographic
mediums, including polaroids, cibachromes, cibatransparancies, and digital
processes. Recent museum shows in Germany, Italy, and Japan have mixed these
pieces with audio elements, acoustiguides, and sculptural elements.
Three books have been published containing
this work. The first, Strange Ritual (Chronicle Press, 1995) mixed text
and image in a notebook-type format. The second, Your Action World (Edimar,
Italy, 1998 and Chronicle, 1999), was modeled after corporate reports and
inspirational and motivational literature. The third book is a religious
text called The New Sins, created for the Valenicia Bienal. Books were placed
anonymously in hotel drawers during the Biennial. McSweeneys is publishing
this book in the USA and Faber in UK.
Born 1952, Dumbarton, Scotland. Currently lives in New York.
Attended Rhode Island School of Design and Maryland Institute College of
Art. |
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Stop Making
Sense: Special New Edition (1999)
Popular Favorites: Sand In The Vaseline (1992)
Naked (1988)
True Stories (1986)
Little Creatures (1985)
Stop Making Sense (1984)
Speaking in Tongues (1983)
The Name of This Band is Talking Heads (1982)
Remain in Light (1980)
Fear of Music (1979)
More Songs About Buildings and Food (1978)
Talking Heads '77 (1977)
Look Into The Eyeball (2001)
The Visible Man (1997)
Feelings (1997)
David Byrne (1994)
Uh-Oh (1992)
Rei Momo (1989)
The Forest (1988)
Lazy; lyrics & vocal by David Byrne, music by X Press 2 (2002)
Forestry; with Jack Dangers and Rudy Tambala (1992)
Liquid Days and Open the Kingdom ; lyrics by David Byrne, music by Phillip
Glass (1986)
My Life in the Bush of Ghosts; with Brian Eno (1981)
Tributo A Peret, "Si Fulano;" duet with Peret & Carol C (2000)
Mantra Mix, "Aint Got Far To Go" (2000)
Red Hot & Lisbon, "Dreamworld: Marco de Canavezes;" duet with
Caetano Veloso (1998)
Red Hot & Rio, "Waters Of March;" duet with Marissa Monte
(1996)
Blue In The Face, "Gods Child;" duet with Selena (1995)
Caged/Uncaged: A Rock/Experimental Homage to John Cage, "Cage and The
Long Island Expressway" and "Enlightened Whistler" (1993)
Until The End Of The World, soundtrack to Wim Wenders film, "Sax and
Violins" (1992)
Red Hot & Blue, "Don't Fence Me In" (1990)
Like a Girl I Want You to Keep Coming, "Song For The Trees (or) "I
Know Sometimes The World Is Wrong" (1989)
The 20th Anniversary Album, "America Is Waiting" (1989)
Music and Rhythm, "His Wife Refused" (1982)
"Glass, Concrete & Stone", track for end credits of Stephen
Frears film Dirty Pretty Things (2002)
"Let The Mystery Be," "Dallas," and "Jolene"
duet with Natalie Merchant on Few and Far Between, 10,000 Maniacs (1993)
Score Young Adam, directed by David MacKenzie (2003)
In Spite Of Wishing And Wanting, score for theater piece by Wim Vandekeybus
of Ultima Vez Dance Company (1999)
A Young Man's Dream and a Woman's Secret, film by Philip Haas (1990)
The Giant Woman and The Lightening Man, film by Philip Haas (1990)
Something Wild, directed by Jonathan Demme: "Loco de Amor" song
co-written with Johnny Pacheco; sung with Celia Cruz backed by Ray Barretto's
band (1986)
Married to the Mob, directed by Jonathan Demme (1988)
The Forest, orchestral score for theater piece by Robert Wilson (1986)
The Last Emperor, directed by Bernardo Bertolucci (1988)
Sounds From True Stories, directed by David Byrne (1986)
Main title theme for "Alive From Off Center," Season 1 (1984)
The Catherine Wheel, choreographed by Twyla Tharp with Brian Eno and John
Chernoff (1988)
Music for The Knee Plays, stage collaboration with Robert Wilson and Suzushi
Hanayagi (1984)
Dead End Kids: A Story of Nuclear Power, film by Joanne Akalaitis
Between The Teeth, live concert film from Uh-Oh Tour 1992-3, directed by
Byrne and David Wild (1993)
Girls, She's Mad directed by Byrne (1992)
Umbabarauma, animated film-video for Beleza Tropical, directed by Susan
Young, produced by Byrne (1989)
Ilé Aiyé, directed by Byrne, film about Candomblé Religion
in Brazil (1988)
Talking Heads vs. Television, collaboration for BBC channel 4 (1984)
April 16, 1989, a two and one-half minute film created with David Wild (1988)
Storytelling Giant, compilation of all Talking Heads' videos to date; seven
directed by Byrne (1988)
True Stories, co-written with Pulitzer Prize winning playwright Beth Henley
and actor-director Stephen Tobolowsky (1986)
Stop Making Sense, concert film conceived from a stage show by Byrne and
directed by Jonathan Demme (1984)
America is Waiting, film by Bruce Conner, produced by Byrne (1981)
Music Producer Mesopotamia, B-52's Waiting, Fun Boy 3 Elegibo, Margareth
Menezes, tracks "Canto pra Subir", "Abra a Boca", Penguin
Books, 1986
Academy Award, Golden Globe, and Hollywood Foreign Press Association Award
(1987) for Best Original Score, The Last Emperor (with co-composers Ryuichi
Sakamoto and Cong Su)
Film Critics Award (1985), for Best Documentary, Stop Making Sense
MTV's Video Vanguard Award (1985)
Best Special Effects for She's Mad, Music Video Producers Association (1992)
American Video Award nomination (1983) for Best Group Performance, "Burning
Down the House" with Talking Heads
Texas Accordion Association, Charter Membership (1987), "dedicated
to the promotion of the accordion"
Ivor Novello Award (2002) presented by the British Academy of Composers
and Songwriters in association with the Performing Right Society for the
Ivors Dance Award (with co writers, Ashley Beedle, Darren House and Darren
Rock).
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